![]() ![]() Griffith, Eric von Stroheim, Charlie Chaplin, Max Linder, Carl Dreyer's The Passion of Joan of Arc and Sergei Eisenstein's The General Line as early influences, he was also disappointed to have virtually no Portuguese filmmakers to emulate. making films only when circumstances allowed." įrom an early age, Oliveira was interested in the poverty of the lower classes, the arts and especially films. In a 1981 Sight and Sound article, John Gillett describes Oliveira as having "spent most of his life in business . At 17, he joined his brothers as an executive in his father's factories, where he remained for the majority of his adult life when not making films. As a teenager his goal was to become an actor. Oliveira was educated at the Colégio Universal in Porto before attending a Jesuit boarding school in Galicia, Spain. His father owned a dry-goods factory, produced the first electric light bulbs in Portugal and built an electric energy plant before he died in 1932. His family were wealthy industrialists and agricultural landowners. Oliveira was born on 11 December 1908 in Porto, Portugal, to Francisco José de Oliveira and Cândida Ferreira Pinto. L interdit Givenchy Early life and education ![]() 3.4 1990–2014: Continued success as a filmmaker.3.3 1970–89: Artistic breakthrough: Tetralogy of Frustrated Love and recognition.3.1 1927–42: Early documentaries and first feature.He was also the only filmmaker whose active career spanned from the silent era to the digital age.Īmong his numerous awards were the Career Golden Lion from the 61st Venice International Film Festival, the Special Lion for the Overall Work in the 42nd Venice International Film Festival, an Honorary Golden Palm for his lifetime achievements in 2008 Cannes Film Festival, and the French Legion of Honor. ![]() In March 2008 he was reported to be the oldest active film director in the world. Beginning in the late 1980s he was one of the most prolific working film directors and made an average of one film per year past the age of 100. He continued making films of growing ambition throughout the 1970s and 1980s, gaining critical acclaim and numerous awards. In 1971, Oliveira directed his second feature narrative film, Past and Present, a social satire that both set the standard for his film career afterwards and gained him recognition in the global film community. Among the numerous factors that prevented Oliveira from making more films during this time period were the political situation in Portugal, family obligations and money. He made his feature film debut in 1942 with Aniki-Bóbó and continued to make shorts and documentaries for the next 30 years, gaining a minimal amount of recognition without being considered a major world film director. In 1931 he completed his first film Douro, Faina Fluvial, a documentary about his home city Porto made in the city symphony genre. He first began making films in 1927, when he and some friends attempted to make a film about World War I. Manoel Cândido Pinto de Oliveira GCSE GCIH ( Portuguese: 11 December 1908 – 2 April 2015) was a Portuguese film director and screenwriter born in Cedofeita, Porto. ![]()
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